Thursday, November 20, 2008

Kevin Costner's "Untold Truths"

By Clarence Yu

No, you did not read the title wrong. It is Kevin Costner, actor-director, with his band Modern West and their debut CD, “Untold Truths.”

At the age of 53, Costner decides to go into his first album of all original songs, with long time band Modern West. Most might be surprised (like me) but after a little checking, Costner has not been a stranger to playing music, as he and his band have been playing live gigs for the past couple of years.

The sound is all country/roots-rock with Costner on vocals. Surprisingly, for a shameless country music fan like me, I’m not that disappointed, nor am I elated.

The songs on the album have little to do with what the title suggests, at least in a direct sense. “90 Miles an Hour” sounds a bit like Jacob Dylan’s “One Headlight,” and “Every Intention” sounds like a John Mellencamp song. The fire cracking country-rocker “Gotta Get Away (Song for Bud)” is one of the tracks that is quite unique. Most of the other tracks deal with tales of Americana and it’s heartland and the actor’s voice isn’t really that bad — he sounds like he’s having a blast, and the band is superb.

Please click here for the rest of the article.

Tuesday, November 18, 2008

When the Boss mixes politics and Rock N Roll

By Clarence Yu

OCTOBER 27, 1975: Bruce Springsteen, 25, appears simultaneously on the covers of Time and Newsweek and is heralded as “The future of Rock and Roll.” Around this time, a young man named Barack “Barry” Obama, 14, is attending High School in Hawaii’s Punahou School, destined to be the future President of the United States.

October to November, 2008: Bruce Springsteen, 59, now known as “The Boss” worldwide, critically acclaimed and one of the biggest rock stars on the planet, speaks and plays at several rallies for Senator Barack Obama, 47, who is now the President-elect of the United States.

I used to believe in what Keith Richards used to say about rock n’ roll and politics not being a good mix, that rock n’ roll should not be used as a tool to further anyone’s political agenda. After all, rock n’ roll has always been about good times.

However, as an ardent Springsteen fan for many years now, I believe that the Boss is an exceptional exception to this rule, or at least Richard’s rules.

(Please click here for the rest of the article)

Thursday, November 6, 2008

AC/DC Back with "Black Ice"

By Clarence Yu

AC/DC fans, it’s time to rock again after eight years.

Angus Young and company are back with the new album “Black Ice,” released last October in the United States. You can find a sample of one of their songs, titled “Rock ‘N Roll Train” here.

Their last release, “Stiff Upper Lip” was in 2000, and was met with their usual commercial success. In between then and now, the band was quite inactive with the exception of jamming onstage with the Rolling Stones in 2003, and releasing several box sets.

“Rock N’ Roll Train,” the lead single off the album, is typical AC/DC: it lifts the hairs off your arm and immediately hypnotizes you with that 4/4 signature rock groove they’ve perfected since their inception in 1973.

“Spoiling For A Fight” sounds a bit like “Moneytalks” off 1990’s Razor’s Edge, but less radio friendly and more ballsy.

Read more here.

Clint Eastwood: Riding off into the Sunset?

By Clarence Yu

JUST as mysteriously as he came into the American movie industry as “The Man With No Name” in his “Spaghetti Western” trilogy and as Dirty Harry in the landmark cop drama “Dirty Harry,” reports have been leaking over the Internet that his latest starrer, “Gran Torino” (originally thought as a last sequel to the Dirty Harry franchise) would be his last film as an actor. Might I mention again that word, actor.

I found this official trailer for “Gran Torino” on YouTube:

For Eastwood has, in his storied career spanning over 40 years, been not only an actor, but a director who has had to work his way up the ladder for recognition, culminating with his Oscar wins in 1992 as Best Director for “Unforgiven,” and in 2004 for “Million Dollar Baby.”

You can read the rest of the article here.

SLASH, on life and music after Guns N' Roses

By Clarence Yu

With news of the imminent release of Guns N’ Roses’ new album setting the rock music world on fire, I thought it apt to write something about one of its members — to be specific, an ex-member, Slash.

To most of us growing up in the 80’s, Slash was the epitome of the cool, tough, classic rock guitar, refusing to use a whammy bar in an age where ala’ Eddie Van Halen tapping was en vogue, and keeping mostly to Gibson Les Paul’s as his main guitar of choice. He (along with Richie Sambora of Bon Jovi) brought the talk box back to life (a device, when connected to a guitar can make your voice and guitar sound cool and robotic — listen to the intro of “Livin’ On A Prayer by Bon Jovi).

(The rest of the article can be found here.)

Movie Review: Swing Vote

Movie Review: Swing Vote

Starring Kevin Costner, Madeline Caroll, Dennis Hopper, Kelsey Grammer
Directed by Joshua Stern
Distributed by Touchstone Pictures

By Clarence Yu

KEVIN Costner’s latest drama-comedy starrer, Swing Vote, is a timely film for a primer on the US electoral process. Released in North America in August this year, the movie focuses on a trailer-living, divorced, single father, all-around loser and drunk bum (Bud Johnson) played by Costner.

As it happens, during the US election that transpires in the movie between the two presidential candidates played by Dennis Hopper and Kelsey Grammer respectively as the Democrat challenger and the incumbent Republican President, the whole fate of the race boils down to the vote of one man, Johnson, due to a voting machine performance error that did not able to record his vote.

Please click here for the rest of the article (at the Philippine Daily Inquirer's TV blog, Couch Potatoes).

Tuesday, September 9, 2008

Just Shake Yer Head

Guest Post by Emjay Polina (you may contact the writer at akdpolina@gmail.com)

(Raves and Lamentations on The Eraserheads Reunion Concert)

“Ok pa ba kayo dyan?” This was one of the very rare moments Ely Buendia spoke onstage (and this was mid-way through the first set). It would have been the perfect question to ask himself. Was he still fine? His calm demeanor onstage all throughout the first 15 songs belied the unstable mental and physical state he was in. We didn’t know his mother just died 2 days ago and we did not know how extremely pressured they were to push through with the concert with just less than a week’s preparations.

Ten minutes before Lally Buendia (Ely’s sister) went onstage to announce that the show has to be cut short, our friend Di said she was feeling weird about something. “Kinakabahan ako. Ewan ko basta kinakabahan ako.”, she said over and over again I almost strangled her. I jokingly told her she’s not going to get raped on our way back to QC and just please cut the crap. But to our great shock, the unthinkable happened – there are no more 2nd and 3rd sets. Ely had to be rushed to the hospital due to severe “emotional and physical stress”. Raimund took the stage first, his voice a bit shaky it sounded like he’s going to break down any minute. He handed the mic over to Buddy and Ely’s sister for the formal announcement that would break all of our hearts. It took a while for the disbelief to subside. We left the field after an hour of debate and “pagmumura”.

Me, my three friends and the rest of the 20,000 ‘Heads fans and curious folks who flocked The Fort last night eagerly waited for this event for almost two months. This would have been the biggest and most successful concert this year and not to forget – the most remarkable. There were no major promotional events, no tv and radio commercials, no posters - just plain word-of-mouth and incessant blogging. They started selling tickets Wednesday and, well they just easily sold out. This just goes to show how much the people missed this foursome. The ‘Heads faithful are very much alive. Well just imagine how many more people would have flocked if the concert was really free (as was originally planned before the “Dastardly Dementors” ruined the tobacco company’s plans).

There was really no sign of impending doom at the start of the show. The whole thing was unbelievably organized. Entrance and exit points were well marked and people promptly fell in line. There were no pushing or shouting . And to me and my friends’ great relief – there were no JJ’s ( Jumping Jologs aka Killer Orcs aka Goth wannabes) in the area. Actually the crowd were mostly students and yuppies (mostly people from Peyups). “Parang isang malaking malaking UP fair lang ‘to”, a former dormmate said. And to think hours before I was fretting about getting mercilessly pushed about and having my belongings robbed off me.

So much for the drama….

How did the whole thing start off?

The crowd started going wild during the ten-minute countdown. That was one of the longest ten minutes ever. The excitement can hardly be contained anymore. And then the lights were on, the magnificent sparks flew, and then - Raim’s drumbeats. I always knew they’d kick off with Alapaap. That unforgettable bass line that followed immediately was more than enough to get each and every one screaming and jumping. Each ‘Head got their spotlight –the hyperkinetic Raymund Marasigan (donning a lady’s wig) on drums, the super-cool surferdude Marcus Adoro (my favorite) on lead guitars, the calm and steady-looking Buddy Zabala on bass and of course, the enigmatic and deeply-troubled Ely Buendia on vocals and rhythm guitar. Together at last after six friggin’ years. I was very lucky to have caught them perform twice during my freshman year at UP Diliman. I was always at the front row before, this time I was at the Gen Ad section where I could hardly see their faces. I didn’t really care much just as long as the wide screens were there and the audio system was just directly in front of us.

They sounded really really good. Hands down. It’s as if they never disbanded and just grew even more musically sophisticated. “Alapaap” did not disappoint. If you are a fan of the ‘Heads, you really know that they have the tendency na “magkalat” during live shows. They’re just performing in the spirit of fun and you could feel it. Those were the heady days.

A quick succession of melt-in-your-ear old pop hits followed (mostly from their Ultra, Circus and Cutterpillow albums). There was the very popular college favorite “Ligaya”, then came “Sembreak” (during which UP students and alumni screamed Go UP! as familiar campus sights were flashed on the big screen). “Hey Jay” was just as engaging as well. “They tried…They really tried… to tell us we’re too OLD. Too old to really be … BOLD.” Ely spoke these first few lines from “Toyang” – a song reportedly about a former flame with whom he had a love child. This song was one of the major highlights of the first set.

Everything would have been really OK except that they just don’t talk to the crowd. There is total dead air in between songs. We were half-expecting Raims to jump up and just grab the mic from Ely. All they do instead is tune up their instruments a bit before hitting off with another pop ditty. People chanted “GROUP HUG!!” and “Magsalita naman kayo!!!” to the band to ward off the increasing tension among the four of them. Apart from the really great 1st set of playlist, the silence in between is really creepy. They went on with “Fruitcake”, “Kama Supra”, and for the rock ballad “Kailan” Ely invited Jazz Nicolas of Itchyworms to play the keyboards and he just let the crowd sing the last part: “Kailan ako lalaya sa anino ng pag-iisa, Mga rehas lang ang tanaw. Nanginginig sa seldang maginaaaaaw”. “With A Smile” became quite an emotional piece that my friend Di almost burst into tears. For “Shake Yer Head” Ely was so hyper he was literally shaking his head a lot and even let his oversized aviator shades fly off his face. If Ely was hyper at one point, Buddy was frowning over a slight malfunction of his bass effects.

Three more pop favorites were sung: “Kaliwete” (with lots of Macoy’s guitars), “Huwag kang Matakot” and the walang-kamatayang “Huwag Mo Nang Itanong”. The first set ended with an obscure “Lightyears” (from Fruitcake). Most people were asking: “What song is that?” It certainly wasn’t the type of ending song they’d want to hear but it was great nonetheless. Ely afterwards just held his guitar in one hand and kept looking sideways (as if looking for someone to take it off his hand). Then the lights started to go out one by one, and the only thing shown on the screen is the big timer once again counting to 20 minutes before the 2nd set – that would never be.

Raymund, on his Subsandwich mailing list said that they prepared three sets for what he previously called the “Magical Mystery Show”. “The first was just a warm up. The remaining two was going to be the fun part. There were more videos and light shows and pyro in store for everyone.” True enough, their more popular songs were not yet played : the riff-driven favorite of mine – “Superproxy”, the cult-favorite anthem “Pare Ko”, the wild “Pop Machine, the likewise controversial “Tikman”, the upbeat “Magasin”, the beautiful “Torpedo”, the weird “Spoliarium”, the sappy “Hard to Believe” and another controversial, “Alkohol”. I was expecting they would end with the bittersweet “Ang Huling El Bimbo” or the more emotional “Para sa Masa”.


After all the disappointment, the question now remains: “Will there be a Part 2?” There better be. Raims said it himself during one of the numerous news interviews that followed afterwards. “Babawi kami.” No word yet on the date or place. They just wanted to assure that Ely gets the rest he deserved. In the end the people wouldn’t really care if they reunite for real (a highly unlikely possibility) or not. They just want to see the foursome perform as a whole again even for just one marvelous night.

To cap a truly disappointing night, we headed to our favorite ktv tambayan Uncle Tat’s at Matalino St. We sang every Eraserhead song we can find in the catalog and screamed our hearts out until 4:00 in the morning. We did not want to feel really defeated after all.